Trisha's Atelier

Oil and raw pigment on linen and paper. Slow, quiet paintings about light, water and the hour before the day begins. Eight works are currently available.

The studio: a wide sage-toned room with a disc of amber light and a tall dark panel.
Tidal Drift — a warm horizon of terracotta and amber.
Tidal Drift
Saltwater Study — a teal to sage gradient field.
Saltwater Study
Scroll to see the work

Take your time…

What are you drawn to?

What I make

A look at the current body

Oil on linen, raw pigment on cotton rag, and small studies made early in the morning. Every piece is one of a kind.

Tidal Drift — a warm horizon of terracotta and amber divided by a low band of deep red.
Tidal Drift 2024 · Oil on linen
Kiln Notes — stacked horizontal bands of ochre, clay and cream.
Kiln Notes 2024 · Pigment on paper
Saltwater Study — a teal to sage gradient field framed by a thin pale border.
Saltwater Study 2023 · Oil on linen
Second Light — a dark arch standing on a sand ground.
Second Light 2023 · Oil on board
Low Tide — a moss-green ellipse overlapped by a smaller amber form.
Low Tide 2023 · Oil on board
Terracotta I — layered bands of terracotta, amber and sand.
Terracotta I 2022 · Pigment on paper
River Index — seven rounded vertical columns at staggered heights.
River Index 2022 · Ink on paper
Morning Register — five concentric terracotta arcs rising from a cream ground.
Morning Register 2022 · Pigment on paper
Beyond the canvas

Ways to live with the work

From an original on your wall to a commission made for one particular room — here is how it usually goes.

Quiet Hour — a deep gradient field framed by a thin pale border.

Original works

Every painting in the archive is a one-off, sold unframed and documented with a signed certificate. Shipping arranged case by case.

North Window — a moss-green arch standing on a blush ground.

Commissions

A handful each year, usually at a scale that suits a particular wall. We start with a conversation and a small study.

Studio prints

Selected pieces are released as small archival editions, printed on cotton rag and numbered by hand in the studio.

Get in touch
Field Notes — seven rounded vertical columns in sage and ochre.
Get in touch

Enquire about a work

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